Header Image

Resources

If knowledge is power, and strength is found in numbers, then informing the sector with data, knowledge and contacts is an important part of advancing the craft sector. The following resources are intended to empower you.

Craft Glossary

Canadian Craft Glossary

Decode Craft jargon with this regularly updated Canadian Craft glossary. The Canadian Craft Glossary lists common craft words, acronyms and phrases. Did you see an error or have a suggestion to add? Please, send us a message.

Craft Glossary: A

Academic

Relating to education and scholarship


Accelerator

An additive to speed up the chemical reaction between the catalyst and resin


Aesthetic

A particular approach to something is pleasing to the eyes


Affiliates

An affiliate is a subordinate group or organization associated with a larger group or organization


Antique Glass

Also known as “mouth-blown glass,” this type of glass is made at the end of a blowpipe in accordance with historic glass manufacturing processes


Appliqué

Cut-out elements that are added to a sewing project to give added dimension or interest


Appropriation

A strategy used by artist who intentionally borrow, copy, and alter existing images and objects


Archival

A permanent and durable material


Artisan

A worker in a skilled trade, especially one that involves making things by hand such as carpentry, leather crafting, jewelry making, and many more


Artist

A person who creates art that can be a painting, sculpture, music, or writing


Artist’s Book

A medium of artistic expression that uses the form or function of the book as inspiration


Artist-Run Centres (ARCs)

Non-profit organizations governed by a majority of artists, dedicated to providing alternative venues to the established art gallery system, supporting the production of new and innovative artistic forms and methods, and facilitating peer-to-peer networking

Craft Glossary: B

Baguette

A thin, long gemstone normally cut with just 14 to 18 parallel facets


Basketry

The art of making baskets with interwoven materials like wicker, wood, grass, bamboo etc.


Batik

A textile design technique using wax as a resist against coloured dyes


Batting

The material used between the quilt top and backing


Beadwork

The use of beads in decoration; beads may be individually stitched, applied in threaded lengths, or woven into the weft of the material. Beading has a very long artistic and cultural history among the Indigenous people in Canada


Bias

Any diagonal line between the crosswise or lengthwise grain line in woven fabric


Biscuit

A small wafer of wood that is inserted and glued to an edge groove between two pieces of wood to be joined


Bleeding

Refers to ink or marker seeping through the backside and sometimes to the next sheet of paper


Blowpipe

Refers to an iron or steel tube, usually four to five feet long, used to blow a bubble of air into a gather of molten glass


Braising

A metal-joining process in which two or more metal items are joined together by melting and flowing a filler metal into the joint to form a strong load-bearing joint

Craft Glossary: C

Canework

In glassblowing, cane are coloured lengths of glass made by stretching molten glass into a long rod. Once cane has been produced, it can be used to make patterns in glass vessels, beads, small sculptural objects, and other artistic creations


CARFAC

Canadian Artists’ Representation/Front des Artistes Canadiens


Casting

Making a mould of a form then using it by pouring liquid material into the mould


CCBC

Craft Council of British Columbia


CCF/FCMA

Acronym for the Canadian Craft Federation/Federation Canadienne des Metiers d’Art


Ceramic

Made of clay and hardened by heat


CERF+

Craft Emergency Relief Fund and Artist Emergency Resources


Chiaroscuro

A manipulation of light and shadow to add life and three-dimension to their images


Chin-colle

A process that introduces colour and texture into an etching without having to prepare and print additional plates


Citizens of Craft

A movement of makers, of appreciators, of shoppers, of admirers – of anyone whose values match our values of heritage, innovation, the leading edge, traditional, authentic, and entrepreneurial


Cleavage

The ability of a rock mass to break along glat planar surface or certain lines of weakness in the structure of the rock’s crystal lattice


CMAQ

Acronym for the Conseil des Metiers d’Art du Quebec


CoC

Acronym for Citizens of Craft


Coldwork

Any process that alters the state of the glass without using heat. Commonly used cold work techniques include sandblasting, engraving, cutting, polishing, painting, and bonding


Collaborate

To work together with someone else for a particular purpose


Colour Family

A collection of the tones and shades that make up a colour


Compatible

Material that can be fused together without excessive residual stress


Couching

An embroidery technique in which strips of fabric, string etc are stitched onto the piece of work. The end result produces a ‘zipped’ effect


CPAMO

Acronym for Cultural Pluralism in the Arts Movement Ontario


Craft

An activity involving skill and creating things by hand


Craft Industry

Goods that re handmade by artisans or those skilled in a particular trade


Craft Production

Manufacturing by hand


Craft Retail

Retail businesses such as galleries, craft store, online shop or boutique


Crafters

A person who has a hobby or small business of hand crafted items


Craftsmanship

A skill that has been acquired in a particular craft


Craftspeople

A person skilled in a particular craft


Creations

A thing that has been made


Crochet

A soft craft that uses a small hook to interlock loops of yarn together to create blankets, toys, jewellery and more


Cross Stitch

A type of counted embroidery that uses small crosses or ‘x’s to create a tiled pattern or design


Culture Appropriation

When a dominant culture uses the culture elements of a minority group outside of their original culture content


Curator

A person whose manages a collection and organize exhibitions


Cure Time

The length of time it takes for the material (resin or silicone) to completely set or harden

Craft Glossary: D, E, F

Dalle de Verre

From French: “glass slab,” this is a glass art technique of sawing or breaking thick coloured slabs of glass and setting them in liquid cement, epoxy, or other supporting materials


Debossing

The process of lowering an area of paper


Die-cutting

A technique where metal dies are used in a manual or electronic machine to cut words, shapes and designs into a range of materials, including card, fabric, foil and more


Distress

A technique that is used to make a project look antiquated, or vintage


Drag

Refers to the weight of a quilt pulling while sewing


Earthenware

Sometimes known as terracotta, a fine-grained clay body fired at low temperatures, resulting in pottery that is slightly porous and coarser than stoneware and porcelain. It can be made impervious to liquids with glaze


Embellishment

An additional decorative element added to a project to finish it off


Embossing

The process of raising an area of paper


Embroidery

The craft of decorating fabric with thread using a needle


Enamelling

A technique in which powdered glass is fused to a metal, glass, or ceramic base in the heat of a kiln to create glossy, vividly coloured metal objects


Exhibitions

A public display of works of art


Felting

The process of separating and relocking the fibres in yarn or wool, most commonly through needle felting—matting wool with a barbed or notched needle—and wet felting—combining fibres with agitation, soap, and water


Fibre

A natural or synthetic structure that is significantly longer than it is wide


Findings

Small jewellery making components


Float Glass

A type of sheet glass produced by floating molten glass in a bath of liquid metal of a low melting point, typically tin

Craft Glossary: G, H, I

Gaffer

The head glassblower in charge of a chair, or team, of hot-glass workers


Gallery

A room or building for the display or sale ow works of art


Glass

A substance made by fusing sand with soda, lime and sometimes other ingredients


Glass Fusing

The process of joining compatible sheet glasses together in a kiln to fabricate plates, tiles, bowls, jewelry, wall hangings, and other artistic creations


Glaze

A vitreous substance fused on to the surface of pottery to form a hard, impervious coating


Goldsmith

A person who makes objects from gold


Hand Building

A ceramics technique that allows artists to create forms with clay using their hands and other tools, but without the use of a throwing wheel


Handcraft

Something made with skill by hand


Handicrafts

Decorative objects made by skilled hands


Hard Crafts

Non-textile based crafts, for example papercrafts (including cardmaking, scrapbooking, book-making, etc), mixed media, polymer clay, beading, woodwork, etc.


Hardy

A blacksmithing chisel that has a square shank, which prevents it from rotating when placed in the anvil’s hardy hole. It is used with a hand hammer for cutting both hot and cold metal


Hide

An animal skin treated for human use through stretching, drying, and tanning. Indigenous people across Turtle Island have developed processes of making animal hides into wearable leather for clothing, shelter, and ceremony over generations


Hot Shop

A glassblower’s studio with the equipment necessary to physically work with glass in its molten state


HTV

Heat Transfer Vinyl


ICCA

Indigenous Curatorial Collective / Collectif des commissaires autochtones


Installation

Large-scale, three-dimensional constructions, often designed to transform specific spaces


Interfacing

A layer of material used to stabilize the fabric. Interfacing can be woven or non-woven, fusible or sew in and is available in various weights and thicknesses depending on its intended use

Craft Glossary: J, K, L, M

Jacquard Loom

A loom originally controlled by a chain of punched cards laced together into continuous sequences to create intricate designs in fabric. In today’s Jacquard weaving, punch cards have evolved into electronic files


Juried vs. Non-Juried

A juried exhibition, sale, or show requires potential artists to submit images or samples and information about the work they hope to display or sell to a selecting jury. A non-juried show allows artists to apply without having to present their work in advance, often on a first-come, first-serve basis


Knitting

A craft where loops of yarn (“stitches”) are created in a line, using two long needles, or a knitting machine


Lampwork

Also called “flameworking,” this type of glasswork uses a torch to melt and shape glass


Lapidary

A person, or the craft, of cutting, grinding, shaping, or polishing stones, semi-precious stones, or gemstones


Loom

A frame or machine for making cloth by weaving two or more sets of threads or yarns


Lost Wax Casting

Also known as “investment casting,” this is the process by which an object is cast from a wax model. Lost wax casting involves building a mold around a sacrificial wax model. After the mold investment is set, the wax is melted out and forms a cavity where the metal or glass flows in


Manifesto

A written statement declaring publicly the intentions, motives, or views of its issuer


Market

To advertise or promote something


Marquise

A cut oval gemstone which tapers to a point at both ends


Matrix

The physical surface which the artist manipulates to hold ink, which is then transferred to paper or other materials like blocks of wood or plexiglass


Members

Belonging to a group or organization


Metal Work

The activity of making items with metal


Mill Scale

The bluish-black flaky surface formed on the outer surfaces of plates or sheets of hot rolled steel


Miniature

A small-scale reproduction of something typically much larger


Mixed Media

A form of artwork or crafting where multiple mediums are used, for example, paper and fabric


MMAQ

Maison des Metiers d’Arts de Quebec


Mordant

For dyeing fabrics by forming a coordination complex with the dye, which then attaches to the fabric


Mosaic

A pattern or image made of small regular or irregular pieces of coloured stone, glass or ceramic, held in place by plaster/mortar and covering a surface


MUMAQ

Musee des Metiers d’Art du Quebec


Murrine

An Italian term for coloured patterns or images made in glass cane that are revealed when cut in cross-sections


Negative Space

The empty or open space between, within and surrounding an object that defines it


Nivingajuliat

A form of appliqué Inuit wall-hanging that developed in Qamani’tuaq (Baker Lake), Nunavut in the 1960s

Craft Glossary: O, P, Q, R

Octopus Bag

Named for their distinctive shape, also called “Fire bags” and “Many legs bags.” Popularized by Anishinaabe people in the Western Great Lakes region, these highly decorated, beaded, and tufted case-skin bags are also made by the Nahkawininiwak, Métis, and Plains Indigenous peoples and are found across many Indigenous nations


Papier-mâché

This paper and glue technique used for shaping everything from animals to planets


Parfleche

Lightweight carrying bags and containers made of rawhide by various Plains Indigenous peoples. Colourful and beautifully decorated with a distinctive style of painted designs, parfleche is considered as much a piece of art as a practical tool


Pâte de Verre

From the French, “paste of glass,” a technique of pressing ground glass powders or frits into a mold and fusing them in the kiln into a desired shape


Platform A

Means to communicate ideas or information to a group of people


Podcast

A digital audio file available on the internet for downloading to a computer or mobile device


Porcelain

A high-firing, fine-grained white clay body that fires to a durable, strong, vitreous ceramic. It is usually pure white because of its high kaolin content


Pottery

The making of clay objects by hand


Pounce

A chalk bag that can be patted over a stencil to quickly and accurately transfer a pattern to fabric


Public Art

Any works of art installed in a public area, whether outdoors or indoors. Usually, but not always, it is commissioned specifically for the site in which it is situated and can include murals, sculpture, monuments, community art, digital new media, and even performance


Pug mill

The potter’s solution for transforming clay scraps into workable clay


Punch

A hard metal object with a sharp tip and a blunt butt end, which is usually stuck by a hammer


Pyrography

Writing with fire or heated tools onto leather or wood


Quillwork

A type of decoration using softened and dyed porcupine quills. Quillwork has been practiced for centuries in many parts of Turtle Island, most notably by the Dene people


Quilting

A form of patchwork where multiple pieces of fabric are sewn together, with quilt padding in between, to create a quilt


Quilting Squares

Small squares of fabric to join together in the making of a quilt


Rag Hooking

The art of making a rug by pulling loops of yarn or fabric through a stiff woven base such as burlap, linen, or rug warp


Raku

A ceramics technique that has evolved from ancient Japanese pottery. Raku pottery is removed from the kiln while it is still in fusion and then is cooled extremely fast, sometimes by plunging a ware into water, sometimes by cooling it naturally in the air, and sometimes by plunging it into some combustible material such as paper, straw or sawdust, reducing oxygen and creating spectacular colours


Rasp

A craftsperson’s tool with a long blade covered with rows of sharp points for scraping, filing, or rubbing down objects of metal, wood or other hard materials that create a smooth surface


Recto

It is the right hand page in a book and is usually numbered with and odd page number.


Riveting

A durable and decorative technique using a cold connection method that secures laters of varied mediums such as metal, leathers and fabrics using a “rivet” along with special tools ans the application of force creating a permanent fastening


RJA

Robert Jekyll Award


Roving

Wool fiber that has been processed but not spun into yarn as of yet

Craft Glossary: S, T, U

Saponification

The process of soap making


SCC

Saskatchewan Craft Council


Sconces

A wall-mounted candle holder or light fixture


Screen Printing

Transferring images by filtering paint or ink through patterned and layered screens onto fabric, canvas or other surfaces


Sculptural

Items made by shaping a material such as wood, clay, metal, or stone


Skein

A length of thread or yearn wrapped/coiled around itself


Slumping

A kilnforming process that uses heat and gravity to transform sheet glass into the shape of a mould


Soapstone

A metamorphic rock composed primarily of talc carved by Northern Indigenous communities into tools and decorative sculptures for over 7,500 years. Today, the term “soapstone carving” is often used to refer to sculptures carved from soapstone as well as other soft, compact carving mediums, including serpentine


Spray Paint

Paint that is contained in an aerosol can for the purpose of spraying onto a surface


Stoneware

A mid- or high-firing coarse-grained clay body that can be anywhere between buff colour to gray to dark brown, because of varying levels of iron and other impurities


Tapestry

A piece of thick cloth with a pattern or picture that is formed by weaving or embroidery, traditionally used as a wall hanging or furniture covering


Textiles

Types of cloth or woven fabric


The Craft Spectrum

Craft exists on a spectrum that encompasses disciplines, materials, tools, and cultures


Tradecraft

The skills learned from experience in a trade


Trades

Buying and selling goods and services OR a skilled job, typically one requiring manual skills and special training


Tufting

A type of textile art in which a thread or hair is inserted on a backing material. Indigenous people—including the Dene, Cree, and Métis—have developed distinct forms of decorative tufting using small bunches of dyed animal hair to create sculpted designs


UFO

Abbreviation of unfinished object

Craft Glossary: V, W, X, Y

VAA/AAV

Visual Arts Alliance/Alliance pour les Arts Visuels


Veneer

This sheets of wood or other material (brass, mother-of-pearl, etc.) used for marquetry


Verso

Which is the left hand page in a book that is usually numbered with an even page number


Warp or Weft

These two terms refer to the directionality of the threads that make up a woven fabric. Warp threads run vertically, whereas warp threads run horizontally


WCC

World Crafts Council


WCCNA

World Craft Council North American Region


Weaving

The craft or action of forming fabric by interlacing threads


Wheel Throwing

The technique of shaping ceramics on a potter’s wheel. The wheel turns constantly, triggered by the potter’s foot, a motor, or the help of collaborators, rotating the clay as the potter shapes it with both hands


Wholesale

The selling of goods in large quantities to be retailed or sold to the public by others


WIP

Acronym for work in progress


Wood Carving

The skill of carving wood to make functional or ornamental objects


Woodcraft

Skill in working with wood


Woodworking

The skill of making things from wood


Wool

A fibre that originates from animals, mostly commonly the fleece of sheep. Wool is the raw material that can be spun into a type of yarn which can be used in knitting, crocheting, weaving, etc.


Workshop

A seminar or a discussion group that emphasizes the exchange of ideas and the demonstration of techniques and skills


Xylopolist

The old formal name for a timber merchant


Yarn

A length of natural or synthetic fibre used to create fabric

Interested in learning more about craft theory? Explore the collection of craft-related research below. These studies, papers, and reports highlight the cultural impact of craft across Canada and beyond. Whether you are a scholar, practitioner, or craft enthusiast, this research provides valuable insights and fosters a deeper understanding of the craft sector.

Craft Sector Impact: Statistics for the Sector

A thorough survey and follow up reporting was conducted by the CCF/FCMA in late 2019 and early 2020, gathering statistics from 10 Provincial and 2 Territorial Craft Councils. The final calculations were reviewed, vetted, and confirmed by the Executive Directors of each organization surveyed.

DOWNLOAD:

Considering Cultural Appropriation

As the national arts service organization for craft in Canada, the CCF/FCMA encourages artists and the public alike to embrace and value the artistic, economic, historic, contemporary, and social significance of craft. This is no easy feat, particularly in a country as broad and diverse as Canada. The history of this land influences and informs our contemporary experiences, and with this in mind, we recognize that craft practices are intrinsically tied to the past, present, and future.This document takes one small step toward encouraging thoughtful and informed consideration and action regarding the harm of cultural appropriation in craft.

DOWNLOAD:

Pathway to Funding :
Craft & The Canada Council for the Arts

Pathway to Funding: Craft & The Canada Council for the Arts, is live online now, produced by the CCF/FCMA (and voiced and animated by our awesome design intern, Noémie Malenfant). The CCF/FCMA created this animation to demystify the Canada Council’s new model and encourage more applications from the craft sector. As craft artists may not immediately see themselves in the language of the new Canada Council for the Arts funding model, this video aims to encourage that connection.

DOWNLOAD:

London Craft Trade Mission Report

From February 28th to March 4th, 2019, seven leaders from the Canadian craft sector explored the London craft scene, building an arsenal of information and new networks for the future. That information has been compiled in the CCF/FCMA’s London Craft Trade Mission Report, a resource that can be used by Canadian crafts artists and organizations who want to make connections with or learn about the UK craft scene.

DOWNLOAD:

Senator Patricia Bovey’s Speech, Identity: Artists, The Senate & Canada

At the CCF/FCMA’s 2018 national crafts conference in Nova Scotia, “Placemaking: The Unique Connection Between Craft, Community + Tourism, Lunenburg Keynote Speaker, the Honourable Senator Patricia Bovey, gave her speech, Identity: Artists, The Senate & Canada. Click here to read it, and download our graphic below featuring a few highlights from her speech.

DOWNLOAD:

Craft Think Tank Report

From October 19th to the 21st, 2017, the CCF/FCMA participated in the exclusive Craft Think Tank on Craft Education, hosted by the American Museum of Ceramic Art in Pomona, California. For three days, thirty-five delegates (each in attendance by invitation of the organizers) exchanged information and ideas about the state of craft in America. Read through our report on the event, and be immersed in the many resources, references, and ideas shared throughout the event.

DOWNLOAD:

Craft Year 2015 Infographic

Craft Year 2015: the biggest, broadest celebration of contemporary fine craft ever hosted in this country. It’s not just a claim, we have the stats to back it up!

Throughout the year, craft artists, institutions, associations, and the general public took part, attending a record-breaking 884 events, up 25% from our previous number during Craft Year 2007. Find out more about what events took place and where, as well as the online Craft Year experience, in our Craft Year 2015 infographic.

DOWNLOAD:

Infographic: Craft Councils at a Glance 2015

The CCF/FCMA is proud to bring you this visual research compiled over the course of 2015. As an organization of organizations, we know the value of networking and collaboration, and that the impact our members make helps to define the craft community. ‘Craft Councils at a Glance’ showcases the scope of the councils and their work.

DOWNLOAD:

Canadian Culture Satellite Account 2010 (released in 2014)

This paper articulates the Canadian Culture Satellite Account (CSA) developed by Statistics Canada. The Canadian CSA provides measures of the economic importance of culture (inclusive of the arts and heritage) and sport in Canada in terms of output, gross domestic product and employment, for reference year 2010. The biggest take-away from the report is: that culture represents $47.8 billion worth of GDP, and of that total, $2.8 billion is attributed to the Craft sector.

DOWNLOAD:

Profile and Development Strategy for Craft in Canada: 2003

A Study Coordinated by Conseil des métiers d’art du Québec (CMAQ) for The Canadian Craft Federation/Fédération canadienne des métiers d’art (CCF/FCMA) and prepared by Bert Pereboom, Peartree Solutions Inc., October 2003.

This study provides a qualitative and quantitative profile of the craft sector in Canada. It is the first study to utilize a consistent methodology to measure craft activity across Canada. The study was also the first attempt to develop a cohesive domestic and international development strategy for the craft community in Canada. It reveals that the sector is largely populated with skilled craftpersons working in home-based and other small studios producing one of a kind work or production work. Craft activities are estimated to support some 22,600 individuals, generating total output valued at $727 million, and exports approaching $100 million dollars annually, representing 16 percent of craft revenue of the survey respondents.

DOWNLOAD:

Traditional Craft Trades as Employers and Training Mechanisms for Canadian Youth: 2013

The Vancouver Island University has released a study on what they are calling ‘Traditional Craft Trades’ and the role they play in protecting Canada’s heritage. An interesting take on craft, which includes artistic practices as well as the more agriculturally tied craft activities, the study concludes with more questions we should all consider. (Unfortunately, this study is only available in English).

DOWNLOAD:

Canadian Fine Craft Niche Market Study: 2005

Initiated by the Trade and Investment Development Directorate of the Department of Canadian Heritage, in cooperation with the Trade Team Canada Cultural Goods and Services Working Group (TTC-CGS) for Crafts, this study focuses on the niche connections in crafts. It identifies the trends, habits, experiences, and conditions of Canadian fine craft exporters, as well as the niche market opportunities with particular potential for Canadian fine crafts people.

DOWNLOAD:

Report – Market Intelligence for the Buyers Market of American Craft: 2003

Prepared by Heather O’Hagan, former Executive Director Crafts Association of BC, for the Department of Foreign Affairs and International Trade. Funding provided by the Department of Canadian Heritage, The Canadian Consulate in New York and International Trade Canada.

This report offers detailed information and observations about the Buyers Market from a Canadian participant’s perspective.

DOWNLOAD:

Craft International Trade Action Plan

Developed by Tom McFall, Executive Director of the Alberta Craft Council and Chair of the Trade Team Canada – Cultural Goods and Services Working Group for the Craft sector; Anne Manuel, Executive Director of the Craft Council of Newfoundland and Labrador; Louise Chapados, Director of Development for Services and Exports of the Conseil des métiers d’art du Québec; Rosalyn Morrison, former Executive Director of the Ontario Crafts Council; and Susan Greene, former Senior Trade Officer responsible for Craft with the Trade Routes program of the Department of Canadian Heritage.

Based in large part upon the research and findings presented in the document “Profile and Development Strategy for Craft in Canada,” (see above), the scope of the action plan is limited to recommendations for action on the part of the Government of Canada.

DOWNLOAD:

Marketing Guide for Contemporary Fine Craft in the United States: 2002

Commissioned by the Department of Foreign Affairs and International Trade in 2002. Managed by the Crafts Association of British Columbia, co-authored by Dana Boyle, Business Development Officer with the Canadian Consulate General In Minneapolis, Minnesota, and Lou Lynn, artist and faculty member at the Kootenay School of the Arts in Nelson, British Columbia.

The guide is a source of information for craftspersons interested in entering US markets or expanding their US exposure. Topics include: Getting Ready to Go, Working with Galleries, Preparing to Export and Border Issues. Also included are: tips for preparing portfolios; advice about approaching US galleries; descriptions of wholesale and retail shows; and more.

Find recommendations for converting your prices for selling in the US market, classifying your work for US customs, finding customs brokers, shipping, working with embassies and consulates, and much more.

DOWNLOAD:

Study of the Crafts Sector in Canada: Inventory and Summary of Current Literature; Defining the Crafts Sector; Working Together to Develop the Crafts Sector: 2001

Coordinated by Conseil des métiers d’art du Québec (CMAQ) for the CCF/FCMA. Prepared for Industry Canada and the Department of Foreign Affairs and International Trade (DFAIT) by Bert Pereboom, Peartree Solutions Inc.

DOWNLOAD:

Unlock a world of learning with our comprehensive educational resources dedicated to Canadian craft. Explore a variety of opportunities for higher education in the arts, including specialized programs, workshops, and online courses that can help you advance your fine craft career.

Craft Education Across Canada

BRITISH COLUMBIA

For a complete listing of educational institutions, including summer school and private and part-time opportunities in British Columbia, visit the Craft Council of British Columbia’s website.

ALBERTA

SASKATCHEWAN

MANITOBA

ONTARIO

QUÉBEC

NEW BRUNSWICK

NOVA SCOTIA

NEWFOUNDLAND & LABRADOR

NUNAVUT

NORTHWEST TERRITORIES

YUKON

  • Arts Underground | Workshops in Textiles, Clay and Glass

Artifex is a publicly accessible resource database that was created in 2019-20 through a partnership between Mass Culture and the Creative Hubs and Networks Database at University of Toronto Scarborough (UTSC) with support from the Critical Digital Methods Institute (CDMI). The database provides exchange and dissemination of knowledge and research links, making it a key information resource for anyone working in or interested in the arts and cultural sector in Canada. The database is important to policy makers, creative workers and artists, researchers and academics, media, funders and general interest audiences.

CARFAC (Canadian Artists’ Representation/Front des Artistes Canadiens) is a national nonprofit group dedicated to defending Canadian artists’ economic and legal rights. They also direct research and promote Canadian art. Fee schedules, copyright information, and other invaluable information can be found on their website or through a provincial representative.

Copyright Visual Arts is a not-for-profit copyright management society providing Author’s Rights administration for professional Canadian and Québécois visual and media artists.

Cultural Pluralism in the Arts Movement Ontario (CPAMO) is a movement of Indigenous and racialized artists engaged in empowering the arts communities of Ontario. CPAMO seeks to open opportunities for Indigenous and racialized professionals and organizations to build capacity through access and working relationships with cultural institutions across Ontario that will result in constructive relationships with Indigenous and racialized professionals and organizations.

The Cultural Human Resources Council has multiple studies on employment and careers in the Canadian cultural sector. The CHRC also provides extensive information in both official languages about opportunities for cultural employment, including Craft. Here you can learn about what it takes to work in any given cultural field, browse Internship programs and Job opportunities, review research studies, and more. Of particular interest is the Art of Managing Your Career, a resource guide for cultural careers in all fields, with detailed information about the craft sector as a whole in both English and French.

CERF+ (the Craft Emergency Relief Fund and Artist Emergency Resources) is the resource for craftspeople looking for information on emergency preparedness and how to deal with a disaster. Information is available on their website about safeguarding, disaster planning, cleanup, salvage and e-salvage, and is freely accessible online to Canadians.

The Indigenous Curatorial Collective / Collectif des commissaires autochtones (ICCA) engages in critical discourses, increases professional opportunities for our members, develops programming, and most importantly works to build reciprocal relationships with Indigenous curators, artists, communities and the institutions we engage with.

The World Craft Council North American Region (WCCNA) is one of five regions represented in the World Craft Council International (WCC) organization. Volunteers power the effort of the WCCNA, to encourage connections and build networks between North American craft and the rest of the world, ensuring that Northern American, Central American, and Caribbean craft is known and appreciated as a reflection of our collective, unique and diverse North American culture.

Canadian Craft Glossary

Decode Craft jargon with this regularly updated Canadian Craft glossary. The Canadian Craft Glossary lists common craft words, acronyms and phrases. Did you see an error or have a suggestion to add? Please, send us a message.

Craft Glossary: A

Academic

Relating to education and scholarship


Accelerator

An additive to speed up the chemical reaction between the catalyst and resin


Aesthetic

A particular approach to something is pleasing to the eyes


Affiliates

An affiliate is a subordinate group or organization associated with a larger group or organization


Antique Glass

Also known as “mouth-blown glass,” this type of glass is made at the end of a blowpipe in accordance with historic glass manufacturing processes


Appliqué

Cut-out elements that are added to a sewing project to give added dimension or interest


Appropriation

A strategy used by artist who intentionally borrow, copy, and alter existing images and objects


Archival

A permanent and durable material


Artisan

A worker in a skilled trade, especially one that involves making things by hand such as carpentry, leather crafting, jewelry making, and many more


Artist

A person who creates art that can be a painting, sculpture, music, or writing


Artist’s Book

A medium of artistic expression that uses the form or function of the book as inspiration


Artist-Run Centres (ARCs)

Non-profit organizations governed by a majority of artists, dedicated to providing alternative venues to the established art gallery system, supporting the production of new and innovative artistic forms and methods, and facilitating peer-to-peer networking

Craft Glossary: B

Baguette

A thin, long gemstone normally cut with just 14 to 18 parallel facets


Basketry

The art of making baskets with interwoven materials like wicker, wood, grass, bamboo etc.


Batik

A textile design technique using wax as a resist against coloured dyes


Batting

The material used between the quilt top and backing


Beadwork

The use of beads in decoration; beads may be individually stitched, applied in threaded lengths, or woven into the weft of the material. Beading has a very long artistic and cultural history among the Indigenous people in Canada


Bias

Any diagonal line between the crosswise or lengthwise grain line in woven fabric


Biscuit

A small wafer of wood that is inserted and glued to an edge groove between two pieces of wood to be joined


Bleeding

Refers to ink or marker seeping through the backside and sometimes to the next sheet of paper


Blowpipe

Refers to an iron or steel tube, usually four to five feet long, used to blow a bubble of air into a gather of molten glass


Braising

A metal-joining process in which two or more metal items are joined together by melting and flowing a filler metal into the joint to form a strong load-bearing joint

Craft Glossary: C

Canework

In glassblowing, cane are coloured lengths of glass made by stretching molten glass into a long rod. Once cane has been produced, it can be used to make patterns in glass vessels, beads, small sculptural objects, and other artistic creations


CARFAC

Canadian Artists’ Representation/Front des Artistes Canadiens


Casting

Making a mould of a form then using it by pouring liquid material into the mould


CCBC

Craft Council of British Columbia


CCF/FCMA

Acronym for the Canadian Craft Federation/Federation Canadienne des Metiers d’Art


Ceramic

Made of clay and hardened by heat


CERF+

Craft Emergency Relief Fund and Artist Emergency Resources


Chiaroscuro

A manipulation of light and shadow to add life and three-dimension to their images


Chin-colle

A process that introduces colour and texture into an etching without having to prepare and print additional plates


Citizens of Craft

A movement of makers, of appreciators, of shoppers, of admirers – of anyone whose values match our values of heritage, innovation, the leading edge, traditional, authentic, and entrepreneurial


Cleavage

The ability of a rock mass to break along glat planar surface or certain lines of weakness in the structure of the rock’s crystal lattice


CMAQ

Acronym for the Conseil des Metiers d’Art du Quebec


CoC

Acronym for Citizens of Craft


Coldwork

Any process that alters the state of the glass without using heat. Commonly used cold work techniques include sandblasting, engraving, cutting, polishing, painting, and bonding


Collaborate

To work together with someone else for a particular purpose


Colour Family

A collection of the tones and shades that make up a colour


Compatible

Material that can be fused together without excessive residual stress


Couching

An embroidery technique in which strips of fabric, string etc are stitched onto the piece of work. The end result produces a ‘zipped’ effect


CPAMO

Acronym for Cultural Pluralism in the Arts Movement Ontario


Craft

An activity involving skill and creating things by hand


Craft Industry

Goods that re handmade by artisans or those skilled in a particular trade


Craft Production

Manufacturing by hand


Craft Retail

Retail businesses such as galleries, craft store, online shop or boutique


Crafters

A person who has a hobby or small business of hand crafted items


Craftsmanship

A skill that has been acquired in a particular craft


Craftspeople

A person skilled in a particular craft


Creations

A thing that has been made


Crochet

A soft craft that uses a small hook to interlock loops of yarn together to create blankets, toys, jewellery and more


Cross Stitch

A type of counted embroidery that uses small crosses or ‘x’s to create a tiled pattern or design


Culture Appropriation

When a dominant culture uses the culture elements of a minority group outside of their original culture content


Curator

A person whose manages a collection and organize exhibitions


Cure Time

The length of time it takes for the material (resin or silicone) to completely set or harden

Craft Glossary: D, E, F

Dalle de Verre

From French: “glass slab,” this is a glass art technique of sawing or breaking thick coloured slabs of glass and setting them in liquid cement, epoxy, or other supporting materials


Debossing

The process of lowering an area of paper


Die-cutting

A technique where metal dies are used in a manual or electronic machine to cut words, shapes and designs into a range of materials, including card, fabric, foil and more


Distress

A technique that is used to make a project look antiquated, or vintage


Drag

Refers to the weight of a quilt pulling while sewing


Earthenware

Sometimes known as terracotta, a fine-grained clay body fired at low temperatures, resulting in pottery that is slightly porous and coarser than stoneware and porcelain. It can be made impervious to liquids with glaze


Embellishment

An additional decorative element added to a project to finish it off


Embossing

The process of raising an area of paper


Embroidery

The craft of decorating fabric with thread using a needle


Enamelling

A technique in which powdered glass is fused to a metal, glass, or ceramic base in the heat of a kiln to create glossy, vividly coloured metal objects


Exhibitions

A public display of works of art


Felting

The process of separating and relocking the fibres in yarn or wool, most commonly through needle felting—matting wool with a barbed or notched needle—and wet felting—combining fibres with agitation, soap, and water


Fibre

A natural or synthetic structure that is significantly longer than it is wide


Findings

Small jewellery making components


Float Glass

A type of sheet glass produced by floating molten glass in a bath of liquid metal of a low melting point, typically tin

Craft Glossary: G, H, I

Gaffer

The head glassblower in charge of a chair, or team, of hot-glass workers


Gallery

A room or building for the display or sale ow works of art


Glass

A substance made by fusing sand with soda, lime and sometimes other ingredients


Glass Fusing

The process of joining compatible sheet glasses together in a kiln to fabricate plates, tiles, bowls, jewelry, wall hangings, and other artistic creations


Glaze

A vitreous substance fused on to the surface of pottery to form a hard, impervious coating


Goldsmith

A person who makes objects from gold


Hand Building

A ceramics technique that allows artists to create forms with clay using their hands and other tools, but without the use of a throwing wheel


Handcraft

Something made with skill by hand


Handicrafts

Decorative objects made by skilled hands


Hard Crafts

Non-textile based crafts, for example papercrafts (including cardmaking, scrapbooking, book-making, etc), mixed media, polymer clay, beading, woodwork, etc.


Hardy

A blacksmithing chisel that has a square shank, which prevents it from rotating when placed in the anvil’s hardy hole. It is used with a hand hammer for cutting both hot and cold metal


Hide

An animal skin treated for human use through stretching, drying, and tanning. Indigenous people across Turtle Island have developed processes of making animal hides into wearable leather for clothing, shelter, and ceremony over generations


Hot Shop

A glassblower’s studio with the equipment necessary to physically work with glass in its molten state


HTV

Heat Transfer Vinyl


ICCA

Indigenous Curatorial Collective / Collectif des commissaires autochtones


Installation

Large-scale, three-dimensional constructions, often designed to transform specific spaces


Interfacing

A layer of material used to stabilize the fabric. Interfacing can be woven or non-woven, fusible or sew in and is available in various weights and thicknesses depending on its intended use

Craft Glossary: J, K, L, M

Jacquard Loom

A loom originally controlled by a chain of punched cards laced together into continuous sequences to create intricate designs in fabric. In today’s Jacquard weaving, punch cards have evolved into electronic files


Juried vs. Non-Juried

A juried exhibition, sale, or show requires potential artists to submit images or samples and information about the work they hope to display or sell to a selecting jury. A non-juried show allows artists to apply without having to present their work in advance, often on a first-come, first-serve basis


Knitting

A craft where loops of yarn (“stitches”) are created in a line, using two long needles, or a knitting machine


Lampwork

Also called “flameworking,” this type of glasswork uses a torch to melt and shape glass


Lapidary

A person, or the craft, of cutting, grinding, shaping, or polishing stones, semi-precious stones, or gemstones


Loom

A frame or machine for making cloth by weaving two or more sets of threads or yarns


Lost Wax Casting

Also known as “investment casting,” this is the process by which an object is cast from a wax model. Lost wax casting involves building a mold around a sacrificial wax model. After the mold investment is set, the wax is melted out and forms a cavity where the metal or glass flows in


Manifesto

A written statement declaring publicly the intentions, motives, or views of its issuer


Market

To advertise or promote something


Marquise

A cut oval gemstone which tapers to a point at both ends


Matrix

The physical surface which the artist manipulates to hold ink, which is then transferred to paper or other materials like blocks of wood or plexiglass


Members

Belonging to a group or organization


Metal Work

The activity of making items with metal


Mill Scale

The bluish-black flaky surface formed on the outer surfaces of plates or sheets of hot rolled steel


Miniature

A small-scale reproduction of something typically much larger


Mixed Media

A form of artwork or crafting where multiple mediums are used, for example, paper and fabric


MMAQ

Maison des Metiers d’Arts de Quebec


Mordant

For dyeing fabrics by forming a coordination complex with the dye, which then attaches to the fabric


Mosaic

A pattern or image made of small regular or irregular pieces of coloured stone, glass or ceramic, held in place by plaster/mortar and covering a surface


MUMAQ

Musee des Metiers d’Art du Quebec


Murrine

An Italian term for coloured patterns or images made in glass cane that are revealed when cut in cross-sections


Negative Space

The empty or open space between, within and surrounding an object that defines it


Nivingajuliat

A form of appliqué Inuit wall-hanging that developed in Qamani’tuaq (Baker Lake), Nunavut in the 1960s

Craft Glossary: O, P, Q, R

Octopus Bag

Named for their distinctive shape, also called “Fire bags” and “Many legs bags.” Popularized by Anishinaabe people in the Western Great Lakes region, these highly decorated, beaded, and tufted case-skin bags are also made by the Nahkawininiwak, Métis, and Plains Indigenous peoples and are found across many Indigenous nations


Papier-mâché

This paper and glue technique used for shaping everything from animals to planets


Parfleche

Lightweight carrying bags and containers made of rawhide by various Plains Indigenous peoples. Colourful and beautifully decorated with a distinctive style of painted designs, parfleche is considered as much a piece of art as a practical tool


Pâte de Verre

From the French, “paste of glass,” a technique of pressing ground glass powders or frits into a mold and fusing them in the kiln into a desired shape


Platform A

Means to communicate ideas or information to a group of people


Podcast

A digital audio file available on the internet for downloading to a computer or mobile device


Porcelain

A high-firing, fine-grained white clay body that fires to a durable, strong, vitreous ceramic. It is usually pure white because of its high kaolin content


Pottery

The making of clay objects by hand


Pounce

A chalk bag that can be patted over a stencil to quickly and accurately transfer a pattern to fabric


Public Art

Any works of art installed in a public area, whether outdoors or indoors. Usually, but not always, it is commissioned specifically for the site in which it is situated and can include murals, sculpture, monuments, community art, digital new media, and even performance


Pug mill

The potter’s solution for transforming clay scraps into workable clay


Punch

A hard metal object with a sharp tip and a blunt butt end, which is usually stuck by a hammer


Pyrography

Writing with fire or heated tools onto leather or wood


Quillwork

A type of decoration using softened and dyed porcupine quills. Quillwork has been practiced for centuries in many parts of Turtle Island, most notably by the Dene people


Quilting

A form of patchwork where multiple pieces of fabric are sewn together, with quilt padding in between, to create a quilt


Quilting Squares

Small squares of fabric to join together in the making of a quilt


Rag Hooking

The art of making a rug by pulling loops of yarn or fabric through a stiff woven base such as burlap, linen, or rug warp


Raku

A ceramics technique that has evolved from ancient Japanese pottery. Raku pottery is removed from the kiln while it is still in fusion and then is cooled extremely fast, sometimes by plunging a ware into water, sometimes by cooling it naturally in the air, and sometimes by plunging it into some combustible material such as paper, straw or sawdust, reducing oxygen and creating spectacular colours


Rasp

A craftsperson’s tool with a long blade covered with rows of sharp points for scraping, filing, or rubbing down objects of metal, wood or other hard materials that create a smooth surface


Recto

It is the right hand page in a book and is usually numbered with and odd page number.


Riveting

A durable and decorative technique using a cold connection method that secures laters of varied mediums such as metal, leathers and fabrics using a “rivet” along with special tools ans the application of force creating a permanent fastening


RJA

Robert Jekyll Award


Roving

Wool fiber that has been processed but not spun into yarn as of yet

Craft Glossary: S, T, U

Saponification

The process of soap making


SCC

Saskatchewan Craft Council


Sconces

A wall-mounted candle holder or light fixture


Screen Printing

Transferring images by filtering paint or ink through patterned and layered screens onto fabric, canvas or other surfaces


Sculptural

Items made by shaping a material such as wood, clay, metal, or stone


Skein

A length of thread or yearn wrapped/coiled around itself


Slumping

A kilnforming process that uses heat and gravity to transform sheet glass into the shape of a mould


Soapstone

A metamorphic rock composed primarily of talc carved by Northern Indigenous communities into tools and decorative sculptures for over 7,500 years. Today, the term “soapstone carving” is often used to refer to sculptures carved from soapstone as well as other soft, compact carving mediums, including serpentine


Spray Paint

Paint that is contained in an aerosol can for the purpose of spraying onto a surface


Stoneware

A mid- or high-firing coarse-grained clay body that can be anywhere between buff colour to gray to dark brown, because of varying levels of iron and other impurities


Tapestry

A piece of thick cloth with a pattern or picture that is formed by weaving or embroidery, traditionally used as a wall hanging or furniture covering


Textiles

Types of cloth or woven fabric


The Craft Spectrum

Craft exists on a spectrum that encompasses disciplines, materials, tools, and cultures


Tradecraft

The skills learned from experience in a trade


Trades

Buying and selling goods and services OR a skilled job, typically one requiring manual skills and special training


Tufting

A type of textile art in which a thread or hair is inserted on a backing material. Indigenous people—including the Dene, Cree, and Métis—have developed distinct forms of decorative tufting using small bunches of dyed animal hair to create sculpted designs


UFO

Abbreviation of unfinished object

Craft Glossary: V, W, X, Y

VAA/AAV

Visual Arts Alliance/Alliance pour les Arts Visuels


Veneer

This sheets of wood or other material (brass, mother-of-pearl, etc.) used for marquetry


Verso

Which is the left hand page in a book that is usually numbered with an even page number


Warp or Weft

These two terms refer to the directionality of the threads that make up a woven fabric. Warp threads run vertically, whereas warp threads run horizontally


WCC

World Crafts Council


WCCNA

World Craft Council North American Region


Weaving

The craft or action of forming fabric by interlacing threads


Wheel Throwing

The technique of shaping ceramics on a potter’s wheel. The wheel turns constantly, triggered by the potter’s foot, a motor, or the help of collaborators, rotating the clay as the potter shapes it with both hands


Wholesale

The selling of goods in large quantities to be retailed or sold to the public by others


WIP

Acronym for work in progress


Wood Carving

The skill of carving wood to make functional or ornamental objects


Woodcraft

Skill in working with wood


Woodworking

The skill of making things from wood


Wool

A fibre that originates from animals, mostly commonly the fleece of sheep. Wool is the raw material that can be spun into a type of yarn which can be used in knitting, crocheting, weaving, etc.


Workshop

A seminar or a discussion group that emphasizes the exchange of ideas and the demonstration of techniques and skills


Xylopolist

The old formal name for a timber merchant


Yarn

A length of natural or synthetic fibre used to create fabric

Interested in learning more about craft theory? Explore the collection of craft-related research below. These studies, papers, and reports highlight the cultural impact of craft across Canada and beyond. Whether you are a scholar, practitioner, or craft enthusiast, this research provides valuable insights and fosters a deeper understanding of the craft sector.

Craft Sector Impact: Statistics for the Sector

A thorough survey and follow up reporting was conducted by the CCF/FCMA in late 2019 and early 2020, gathering statistics from 10 Provincial and 2 Territorial Craft Councils. The final calculations were reviewed, vetted, and confirmed by the Executive Directors of each organization surveyed.

DOWNLOAD:

Considering Cultural Appropriation

As the national arts service organization for craft in Canada, the CCF/FCMA encourages artists and the public alike to embrace and value the artistic, economic, historic, contemporary, and social significance of craft. This is no easy feat, particularly in a country as broad and diverse as Canada. The history of this land influences and informs our contemporary experiences, and with this in mind, we recognize that craft practices are intrinsically tied to the past, present, and future.This document takes one small step toward encouraging thoughtful and informed consideration and action regarding the harm of cultural appropriation in craft.

DOWNLOAD:

Pathway to Funding :
Craft & The Canada Council for the Arts

Pathway to Funding: Craft & The Canada Council for the Arts, is live online now, produced by the CCF/FCMA (and voiced and animated by our awesome design intern, Noémie Malenfant). The CCF/FCMA created this animation to demystify the Canada Council’s new model and encourage more applications from the craft sector. As craft artists may not immediately see themselves in the language of the new Canada Council for the Arts funding model, this video aims to encourage that connection.

DOWNLOAD:

London Craft Trade Mission Report

From February 28th to March 4th, 2019, seven leaders from the Canadian craft sector explored the London craft scene, building an arsenal of information and new networks for the future. That information has been compiled in the CCF/FCMA’s London Craft Trade Mission Report, a resource that can be used by Canadian crafts artists and organizations who want to make connections with or learn about the UK craft scene.

DOWNLOAD:

Senator Patricia Bovey’s Speech, Identity: Artists, The Senate & Canada

At the CCF/FCMA’s 2018 national crafts conference in Nova Scotia, “Placemaking: The Unique Connection Between Craft, Community + Tourism, Lunenburg Keynote Speaker, the Honourable Senator Patricia Bovey, gave her speech, Identity: Artists, The Senate & Canada. Click here to read it, and download our graphic below featuring a few highlights from her speech.

DOWNLOAD:

Craft Think Tank Report

From October 19th to the 21st, 2017, the CCF/FCMA participated in the exclusive Craft Think Tank on Craft Education, hosted by the American Museum of Ceramic Art in Pomona, California. For three days, thirty-five delegates (each in attendance by invitation of the organizers) exchanged information and ideas about the state of craft in America. Read through our report on the event, and be immersed in the many resources, references, and ideas shared throughout the event.

DOWNLOAD:

Craft Year 2015 Infographic

Craft Year 2015: the biggest, broadest celebration of contemporary fine craft ever hosted in this country. It’s not just a claim, we have the stats to back it up!

Throughout the year, craft artists, institutions, associations, and the general public took part, attending a record-breaking 884 events, up 25% from our previous number during Craft Year 2007. Find out more about what events took place and where, as well as the online Craft Year experience, in our Craft Year 2015 infographic.

DOWNLOAD:

Infographic: Craft Councils at a Glance 2015

The CCF/FCMA is proud to bring you this visual research compiled over the course of 2015. As an organization of organizations, we know the value of networking and collaboration, and that the impact our members make helps to define the craft community. ‘Craft Councils at a Glance’ showcases the scope of the councils and their work.

DOWNLOAD:

Canadian Culture Satellite Account 2010 (released in 2014)

This paper articulates the Canadian Culture Satellite Account (CSA) developed by Statistics Canada. The Canadian CSA provides measures of the economic importance of culture (inclusive of the arts and heritage) and sport in Canada in terms of output, gross domestic product and employment, for reference year 2010. The biggest take-away from the report is: that culture represents $47.8 billion worth of GDP, and of that total, $2.8 billion is attributed to the Craft sector.

DOWNLOAD:

Profile and Development Strategy for Craft in Canada: 2003

A Study Coordinated by Conseil des métiers d’art du Québec (CMAQ) for The Canadian Craft Federation/Fédération canadienne des métiers d’art (CCF/FCMA) and prepared by Bert Pereboom, Peartree Solutions Inc., October 2003.

This study provides a qualitative and quantitative profile of the craft sector in Canada. It is the first study to utilize a consistent methodology to measure craft activity across Canada. The study was also the first attempt to develop a cohesive domestic and international development strategy for the craft community in Canada. It reveals that the sector is largely populated with skilled craftpersons working in home-based and other small studios producing one of a kind work or production work. Craft activities are estimated to support some 22,600 individuals, generating total output valued at $727 million, and exports approaching $100 million dollars annually, representing 16 percent of craft revenue of the survey respondents.

DOWNLOAD:

Traditional Craft Trades as Employers and Training Mechanisms for Canadian Youth: 2013

The Vancouver Island University has released a study on what they are calling ‘Traditional Craft Trades’ and the role they play in protecting Canada’s heritage. An interesting take on craft, which includes artistic practices as well as the more agriculturally tied craft activities, the study concludes with more questions we should all consider. (Unfortunately, this study is only available in English).

DOWNLOAD:

Canadian Fine Craft Niche Market Study: 2005

Initiated by the Trade and Investment Development Directorate of the Department of Canadian Heritage, in cooperation with the Trade Team Canada Cultural Goods and Services Working Group (TTC-CGS) for Crafts, this study focuses on the niche connections in crafts. It identifies the trends, habits, experiences, and conditions of Canadian fine craft exporters, as well as the niche market opportunities with particular potential for Canadian fine crafts people.

DOWNLOAD:

Report – Market Intelligence for the Buyers Market of American Craft: 2003

Prepared by Heather O’Hagan, former Executive Director Crafts Association of BC, for the Department of Foreign Affairs and International Trade. Funding provided by the Department of Canadian Heritage, The Canadian Consulate in New York and International Trade Canada.

This report offers detailed information and observations about the Buyers Market from a Canadian participant’s perspective.

DOWNLOAD:

Craft International Trade Action Plan

Developed by Tom McFall, Executive Director of the Alberta Craft Council and Chair of the Trade Team Canada – Cultural Goods and Services Working Group for the Craft sector; Anne Manuel, Executive Director of the Craft Council of Newfoundland and Labrador; Louise Chapados, Director of Development for Services and Exports of the Conseil des métiers d’art du Québec; Rosalyn Morrison, former Executive Director of the Ontario Crafts Council; and Susan Greene, former Senior Trade Officer responsible for Craft with the Trade Routes program of the Department of Canadian Heritage.

Based in large part upon the research and findings presented in the document “Profile and Development Strategy for Craft in Canada,” (see above), the scope of the action plan is limited to recommendations for action on the part of the Government of Canada.

DOWNLOAD:

Marketing Guide for Contemporary Fine Craft in the United States: 2002

Commissioned by the Department of Foreign Affairs and International Trade in 2002. Managed by the Crafts Association of British Columbia, co-authored by Dana Boyle, Business Development Officer with the Canadian Consulate General In Minneapolis, Minnesota, and Lou Lynn, artist and faculty member at the Kootenay School of the Arts in Nelson, British Columbia.

The guide is a source of information for craftspersons interested in entering US markets or expanding their US exposure. Topics include: Getting Ready to Go, Working with Galleries, Preparing to Export and Border Issues. Also included are: tips for preparing portfolios; advice about approaching US galleries; descriptions of wholesale and retail shows; and more.

Find recommendations for converting your prices for selling in the US market, classifying your work for US customs, finding customs brokers, shipping, working with embassies and consulates, and much more.

DOWNLOAD:

Study of the Crafts Sector in Canada: Inventory and Summary of Current Literature; Defining the Crafts Sector; Working Together to Develop the Crafts Sector: 2001

Coordinated by Conseil des métiers d’art du Québec (CMAQ) for the CCF/FCMA. Prepared for Industry Canada and the Department of Foreign Affairs and International Trade (DFAIT) by Bert Pereboom, Peartree Solutions Inc.

DOWNLOAD:

Unlock a world of learning with our comprehensive educational resources dedicated to Canadian craft. Explore a variety of opportunities for higher education in the arts, including specialized programs, workshops, and online courses that can help you advance your fine craft career.

Craft Education Across Canada

BRITISH COLUMBIA

For a complete listing of educational institutions, including summer school and private and part-time opportunities in British Columbia, visit the Craft Council of British Columbia’s website.

ALBERTA

SASKATCHEWAN

MANITOBA

ONTARIO

QUÉBEC

NEW BRUNSWICK

NOVA SCOTIA

NEWFOUNDLAND & LABRADOR

NUNAVUT

NORTHWEST TERRITORIES

YUKON

  • Arts Underground | Workshops in Textiles, Clay and Glass

Artifex is a publicly accessible resource database that was created in 2019-20 through a partnership between Mass Culture and the Creative Hubs and Networks Database at University of Toronto Scarborough (UTSC) with support from the Critical Digital Methods Institute (CDMI). The database provides exchange and dissemination of knowledge and research links, making it a key information resource for anyone working in or interested in the arts and cultural sector in Canada. The database is important to policy makers, creative workers and artists, researchers and academics, media, funders and general interest audiences.

CARFAC (Canadian Artists’ Representation/Front des Artistes Canadiens) is a national nonprofit group dedicated to defending Canadian artists’ economic and legal rights. They also direct research and promote Canadian art. Fee schedules, copyright information, and other invaluable information can be found on their website or through a provincial representative.

Copyright Visual Arts is a not-for-profit copyright management society providing Author’s Rights administration for professional Canadian and Québécois visual and media artists.

Cultural Pluralism in the Arts Movement Ontario (CPAMO) is a movement of Indigenous and racialized artists engaged in empowering the arts communities of Ontario. CPAMO seeks to open opportunities for Indigenous and racialized professionals and organizations to build capacity through access and working relationships with cultural institutions across Ontario that will result in constructive relationships with Indigenous and racialized professionals and organizations.

The Cultural Human Resources Council has multiple studies on employment and careers in the Canadian cultural sector. The CHRC also provides extensive information in both official languages about opportunities for cultural employment, including Craft. Here you can learn about what it takes to work in any given cultural field, browse Internship programs and Job opportunities, review research studies, and more. Of particular interest is the Art of Managing Your Career, a resource guide for cultural careers in all fields, with detailed information about the craft sector as a whole in both English and French.

CERF+ (the Craft Emergency Relief Fund and Artist Emergency Resources) is the resource for craftspeople looking for information on emergency preparedness and how to deal with a disaster. Information is available on their website about safeguarding, disaster planning, cleanup, salvage and e-salvage, and is freely accessible online to Canadians.

The Indigenous Curatorial Collective / Collectif des commissaires autochtones (ICCA) engages in critical discourses, increases professional opportunities for our members, develops programming, and most importantly works to build reciprocal relationships with Indigenous curators, artists, communities and the institutions we engage with.

The World Craft Council North American Region (WCCNA) is one of five regions represented in the World Craft Council International (WCC) organization. Volunteers power the effort of the WCCNA, to encourage connections and build networks between North American craft and the rest of the world, ensuring that Northern American, Central American, and Caribbean craft is known and appreciated as a reflection of our collective, unique and diverse North American culture.