The CCF/FCMA is proud to report that our former President, Charles Lewton-Brain, has won the prestigious Saidye Bronfman Award in the Governor General’s Awards in Visual and Media Arts.
Recognized for his work as an innovative jeweller, metalsmith and sculptor, Charles has lead a career in Craft for over 30 years. This dedication has allowed him to forge a career of distinction. As a jeweller, sculptor, and metalsmith, his work embodies the intriguing beauty of small objects and the splendor of large scale productions.
Undaunted by the unknown, Charles works tirelessly to push technical boundaries. The results of his experimentation have expanded the possibilities for metalsmiths through the development of new methods for patina application, new surface treatments and innovative forming techniques, most notably through the invention of Fold-forming. This original technique has rippled from coast to coast and overseas, influencing the work of experienced and emerging metal artists alike.
Arguably the most open jeweller to grace the field, he has published an astounding number of articles, books and online tutorials to share his knowledge with whomever is interested. No lack of publishing opportunities would slow Charles down, as he chose to establish his own publishing company, BrainPress, in 1994. With over 200 works published in magazines and books, and over 500 written works available online, he has contributed more to the library of metal arts than any other.
The Ganoksin Project in particular (an online resource for jewellers and metal artists co-founded by Charles and Dr. Hanuman Aspler) has provided jewellers across the globe with the largest resource of information in technique, design, safety, business, etc. Without this willingness to share, the community would be more insular and segregated than the unified spirit it benefits from today.
As head of the jewellery and metals department, Charles also shares his hands-on knowledge with the next generation of artists. His encouraging methods and inspiring personal work has motivated reams of artists to find their own style, and make a career in the field.
As President of the CCF/FCMA from 2004-2006, and as a member of our board for over six years, while also contributing to the Alberta Craft Council as Chair for five years, Charles has given his time and energy not only to his medium, but to the larger community of Craft in this country.
We at the CCF/FCMA express our sincere congratulations to Charles for his win of the Bronfman Award, the highest level of recognition in Canadian visual arts.